Music, like everything else in life, is an ever-evolving, ever-progressing animal. It must be this way in order to survive as an art form, otherwise it grows stagnant and dies. It’s always moving forward (and sometimes backwards) into new and different places, constantly adapting to an ever-changing world. Music affects a culture as much as the culture affects the music, and this – amongst many other factors – is why you have trends. Right now in terms of the aggressive underground side of things, deathcore is all the rage. Suicide Silence, Bring Me The Horizon, Whitechapel, and Winds of Plague are just a few of the more popular examples. A few years ago, it was melodic metalcore that was big with bands like Atreyu and Avenged Sevenfold. Before that, faster, more punk-oriented hardcore had made a comeback and bands like American Nightmare and Bane were ruling the underground circuit while nu-metal had became the biggest thing since grunge to hit the mainstream. The point is, every form of music has it’s day in the sun, popularity-wise, and what’s “hip” is always changing. Over the past few years we’ve seen a huge resurgence in the popularity of extreme, aggressive music, with the whole New Wave of American Heavy Metal movement as well as the rise in popularity of metalcore and deathcore. With this comes a lot of exciting, unique and talented artists that are pushing the boundaries of what you would call hardcore and metal, as well as a considerably higher amount of horrific, soulless drivel that makes more discerning music-lovers such as myself cringe and long for the “good ol’ days.”
The attitudes and styles of the people who are into music likewise evolve and progress along with the music, and this is what brings me to my point. Kids nowadays are very ignorant of the roots of the music they love and support so dearly, and are quite spoiled when it comes to how they are exposed to and able to digest music. I first started getting into punk and metal in 1996, and was exposed to my first few hardcore bands in 97 although at the time to me they just sounded like punk and metal and I was unaware that there was an actual hardcore “scene.” It wasn’t until August of 1999 that I attended my first hardcore show. A band called Execution Style, several members of which went on to play in notable bands like Terror, First Blood and Alcatraz, and a band called Grange 15 played at this ice cream shop in Santa Rosa, CA, my hometown. Along with them played a couple of nu metal bands including a rapcore group called Third Degree, members of which went on to play in a hardcore band called S.E.E.D. that I will probably write about in depth at some point, as they had a huge impact on me as a person through their music, message and friendship. It wasn’t a very big show, but it was my first glimpse into the crazy world of the hardcore scene and a pivotal moment in my life as a music lover. “These people are like…spin-kicking, and they look like they’re fighting invisible ninjas!?! WTF?! Oh shit that guy just got his tooth knocked out! Holy shit this is crazy!” It was a pretty eye-opening experience, and left me thirsting for more. What was this insanity I had stumbled upon? Why do they mosh like that? What’s with everyone wearing jerseys and windbreakers? Hatebreed is a hardcore band? I thought they were just a metal band with punk-sounding parts! Weird!
As I got more and more into the scene and got exposed to more bands, I developed an unquenchable desire for MORE and I longed to learn as much as possible about every facet of this exciting subculture. This brings me back to the fact that kids nowadays are very ignorant to the history of hardcore and metal. They don’t know their roots, and furthermore, most don’t have that unending desire for knowledge that I had. I recently read an interview with Born of Osiris and they didn’t know who Danzig was. More importantly, they didn’t care who he was and saw nothing wrong with their lack of knowledge on someone who has been very influential on the metal, punk and hardcore scenes.
Mind you, with the exception of The Misfits, I’m not a fan of anything Glenn Danzig has done, but what bothered me was the attitude these kids had towards not knowing their roots. They straight up said “we don’t care about that old shit!” This is an attitude I’ve seen shared by a large number of newer kids, and I feel that it directly contributes to underground aggressive music nowadays essentially being a massive sea of shit, punctuated by the occasional gem here and there. Bands like Suicide Silence and the like obviously listen to Cannibal Corpse and Slayer, but then you have the hundreds of bands that rip off Suicide Silence and I bet you the majority of those kids have never listened to a single Cannibal Corpse song. I bet most of them haven’t even heard of Morbid Angel or Suffocation, and most probably wouldn’t give any of the aforementioned bands a chance. All they care about is their breakdowns and their two steps, and would rather post the “Top 10 Br00tal Keyboard Breakdowns Of All Time” on Youtube than actually take the time to look beyond what’s easily accessible and well-marketed.
At the same time, I guess I can’t really blame it solely on the kids. Music has changed drastically over the past few years, and the scene has become over saturated with more bands than you could possibly ever hope to keep track of. Wanna get into a new band? It’s just a mouse-click away on Myspace or LastFM! Getting bored of that new Oceano album? Just peep their top friends, there’s plenty of other like-sounding bands for you to get into on there! Bands get signed off how many friends and plays they have on Myspace alone. This is a far cry from when I first started getting into hardcore and metal music, when there was no Myspace, no music blogs, and Napster had marked the beginning of the “download age” and was causing all sorts of controversy. I resorted to scouring the thank you lists in CD liner notes, word of mouth, and hoping and assuming that a band on a certain label would be good, even if I hadn’t heard them before. The used section for punk and metal in in various Bay Area music stores were my personal music heavens, and I got into shitloads of new bands that way.
I distinctly remember rummaging through the used section in Amoeba Records in San Francisco and coming across an album by a band called Bird of Ill Omen. The unique name caught my eye and I noticed that they were signed to Eulogy Records. At the time, Eulogy had a pretty-kick ass roster, so I figured they might be worth listening to and bought the album and sure enough, the band was badass! Coalesce, Arsis, Lifetime and Strife were other examples of bands I got into in this fashion. After giving these bands a listen, I’d peep their thank you lists for ideas on other new bands to check out.
Then there was networking with friends and acquaintances that I had met through going to shows and constantly discussing different bands. “Oh bro, you gotta hear this band Poison the Well! They’re fucking crazy! They got like metal parts and breakdowns, but still have like a hardcore vibe, but they got some emo singing parts!” I remember the first time I saw Poison the Well was at Gilman shortly after they had put out “The Opposite of December.” By attending this show I got into two bands that I had previously been unaware of – Unearth and Sworn Enemy, both of which were still fairly new at that point. All of this led to a very rewarding and interesting musical experience for me, both as a music lover and as a musician.
In the years since then, the hardcore scene has changed a whole lot. Bands and kids come and go like the wind. As a subculture, hardcore has grown considerably in size and popularity. Bands like Terror sell 30,000 plus copies in the U.S. of their respective new album like it’s nothing. The usual Bay Area hardcore show back in 00-02 would have anywhere from 40-200 people at it depending on the band and the venue. Now you’ll see 100-400 people easily, and bigger metalcore bands like Bleeding Through and Emmure sell out decent-sized venues that hold 600 kids. With this massive growth in the hardcore and metal population comes a comparable growth in the amount of bands that are out there. Back then through my various means, I could easily get into a few new bands every couple of weeks.
Now I can spend 30 minutes on Myspace and get into 30 new bands easily. Granted 29 of them will suck balls, but what does that matter? The point is, the internet has completely changed the way people get into and digest music, and in my eyes has made the musical experience far less personal and exciting. As with anything, with bad invariably comes good, and I think that overall the internet and the ease it lends to getting into music has been a blessing for the underground. It’s also made the musical climate a lot more competitive and because there’s so many bands it makes it a lot harder to stand out, which means bands have to work extra hard and really try and push the envelope if they want to get noticed.
Also, in a way, it’s still hard to get into music – GOOD music, that is. Like I said earlier, for every 30 bands maybe 1 is actually decent or good, and every great once in awhile you’ll come across something truly special. This is a great thing for discerning music fans like me who enjoy music with substance, style and soul, rather than the mindless nonsense that’s heavily marketed by most labels, because in a way there still is the search – that hunger – for something meaningful musically, and when such a thing is found, it’s a truly exciting
moment.
The overall point I’m trying to make here is best surmised by the following Ignite lyrics: “Know your history!” Becoming acquainted with who and what inspired your favorite artists and bands can only enrich your own musical experience, and I believe that if more people took this kind of approach it would in turn greatly improve the depth and quality of of a scene that has overall become ridden with blandness and mediocrity.